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Wagner and Venice
John W. Barker

Richard Wagner had a longstanding love affair with the city of Venice. His sudden death there in 1883 also initiated a process through which Wagner and his reputation were integrated into Venice's own cumulative cultural image.
In Wagner and Venice, John Barker examines the connections between the great composer and the great city. The author traces patterns of Wagner's visits to Venice during his lifetime, considers what the city came to mean to Wagner, and investigates the details surrounding his death. Barker also examines how Venice viewed Wagner, by analyzing the landmark presentation of Wagner's Ring cycle two months after the composer's death, and by considering Venice's subsequent extensive Wagner celebrations and commemorations.
Throughout the volume, biographical detail from new and previously unavailable sources provides readers with a fresh interpretation of this seminal figure. Those already familiar with Wagner's life will find new information about, and insights into, the man and his career, while simultaneously discovering a neglected corner of Italian and Venetian cultural history.

John W. Barker is emeritus professor of history at the University of Wisconsin-Madison, specializing in medieval (including Venetian) history. He is also a passionate music lover and record collector, and an active music critic and journalist.

 

DETAILS

47 b/w illustrations
1 line illustrations

Size: 9 x 6 in
13 digit ISBN: 9781580462884
Binding: Hardback
First published: 30/Nov/2008
Publication date: 30/Nov/2008
Price: 65.00 USD / 35.00 GBP
Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music

BIC class: AVH

STATUS: Available
Details updated on 18/11/2008

Contents
   Prologue: A Letter to Ludwig
1   The First Encounter
2   From Visit to Vacation
3   From Residence to Mortality
4   Venice in Wagner's Eyes
5   Watching
6   Mourning
7   Remembering: A German for the Germans
8   Remembering: An Italian for the Italians
9   Italy, Venice, and "Wagnerism"
10   The "Wandering Wagnerians"
11   Today the Fenice, Tomorrow all Italy
12   Venetian Assessments
13   Memory and Commemoration
14   Surviving Significance
15   Addenda

Reviews
It was in Venice that Wagner composed much of the second act of Tristan und Isolde, with its ecstatic love duet, and it was in Venice that he died two and a half decades later. Charting the composer's own love affair with La Serenissima over that period has been the quarter-of-a-century mission of John W. Barker, who sifts the plethora of eye-witness accounts with a forensic skill that brings to light all manner of fascinating documentary detail. A book to be relished by lovers of Wagner, of Venice, or of both. -- Barry Millington, Author of Wagner, editor of The Wagner Compendium, and coeditor of Selected Letters of Richard Wagner

A highly informative, smartly written book. Barker's Wagner and Venice is exhaustive in its research yet reads at times like a first-rate mystery, at other times like an intense romance novel about the special relationship between a man and a city. The copious illustrations and fifteen documentary addenda further enrich this study, which friends of Wagner (and Venice) will certainly want to add to their collections. -- James Deaville, associate professor of music at Carleton University, and coeditor of Wagner in Rehearsal, 1875-1876: The Diaries of Richard Fricke




 

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