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An intensely illuminating
picture of the life of a pianist from the inside… a series of brilliant
essays and diaries. Just as she magnetises with her playing, so too with
her words.
Edward Greenfield, Guardian Review
There are few performers who write as well as Susan Tomes, and still
fewer books that convey the rigours and rewards of a performer's life
with as much insight as Beyond the Notes.
Times Literary Supplement
Susan Tomes puts across her ideas about her art in writing with the same
expertise and sensitivity as in her playing. In a world where musicians
are often misunderstood, this book provides insights into the
multifaceted life of a performing musician; sometimes inspiring, often
beautiful, and occasionally depressing…A fascinating volume. ***** (five
stars) Best buy of the month
Jessica Duchen, Classic FM magazine
Susan Tomes is not only a wonderful pianist but also a tremendously
engaging writer. This is a book that should be read by practising
musicians and music-lovers alike: here’s one performer who really can
communicate in words as well as music.
James Jolly, Gramophone
Her articles about the craft of musical performance are remarkable for
their freshness, honesty, intelligence and circumspection. Tomes has the
knack of expressing detailed musical analysis in a way that is easily
accessible to all.
The Scotsman
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Susan Tomes is one of the most thoughtful and sensitive of
chamber music pianists. This book reveals her talents as a writer, too,
one with a capacity for imaginative enquiry and a gift for the telling
phrase. … as natural and compelling a communicator in words as she is in
music.
BBC Music Magazine
The book does indeed describe with rare honesty and insight the life of
a professional musician…Professional musicians will sigh with
recognition at page after page; non-musicians will have their eyes well
and truly opened. I found the book absolutely enthralling.
Classical Music magazine
We knew that she was a superb player; now we know that she is a superb
writer too.
The Independent
A joy to read.
Pianist magazine
[Tomes] writes stylishly, but unflamboyantly, often amusingly, and with
unsparing candour. Very few artists have written extensively about the
day-to-day experience of a professional performing musician, and none
with greater illumination. … This book can be heartily recommended to
anyone even moderately interested in how music is made.
Alan Blakelock in Piano magazine
This is one of the most richly suggestive books on music I've ever read,
speculative and down-to-earth, studded with good things.
Richard Osborne in The Oldie |